5.07.2015

City Park Broadcasting Presents: Imagine City Park Report - Elyse Appears



When the girls asked me if they could make their very tiny house out of bread, I couldn't quite imagine how that would work, but I thought Elyse would know a way, so I suggested we call her.  Just as I was about to go get the phone, Elyse drove up.





Listen to what Elyse has to say about mod podge, Henry Darger, very tiny houses, and her contributions to Imagine City Park: 







5.05.2015

On Day Dreaming



"On Day Dreaming"

one of many PechaKucha

at PechaKucha Night

Thursday May 7, 6pm

UW Fox Valley, Baehman Theatre

a fundraiser for Valley New School




It used to be that my practice was driven by fear.  I feared being a fool.  I feared failure.  A friend wisely asked, “What is your definition of success?” prompting me to look deeper. What is my motivation?  What more than I already have could I possibly need?  Why not let my practice be driven by love?

from "On Day Dreaming"

Here's a banjo song:





4.28.2015

What is a Pecha Kucha?



A) An ancient game using sticks and stones that is all the rage in Tokyo.

B) A fat and jolly walking fish, the star of Japan's latest manga blockbuster.

C) A Japanese style presentation limited to 20 slides, 20 seconds per slide.






Find out at 

PechaKucha Night

6:00 pm, Thursday, May 7

UW-Fox Valley's Baehman Theatre




4.22.2015

Farewell Ellen Kort





Last March, at the Appleton Public Library, I saw Ellen Kort for one of the last times.  I hadn’t known her very long, but what I knew was that she was full of love.  I could tell by her smile.  I could tell by the joy of her poetry, her soft voice evoking images mined from bone marrow. 

When I go to the grocery store and stand

in front of the shelf filled with jars of honey

every brand spells the word Mama
(from Ellen’s Over and Over Again)

When I moved to Appleton in 2010, one of the first places I went was the little bookstore across the street from the Radisson.  I was appalled that they weren’t selling any books by Ellen Kort.  I had just discovered her poem Over and Over Again, sent by a friend when she heard I was living in a house once occupied by Wisconsin’s First Poet Laurent. 


Mama told us how bees

need strength to fly from one plant to another

how their little bodies grow fat from the dust

of pollen when they enter the open house

of flowers how they have to regurgitate

a sip of nectar 200 times in order to turn it

into honey Mama naming what cannot

be named the pure grace of hard labor

the soft hum of gratitude Mama

(from Ellen’s Over and Over Again)

I couldn’t help myself.  I stalked her, called her up, explained where I was living.  She was guarded, until I told her I was a writer too, and then she told me a great little story from when she was living in the house, about a strange woman she didn’t even know who barged in when she was writing, and how this woman got accosted by a ghost, in the very spot where I was sitting, put into a headlock and held there until she was so scared that she ran off and never came back again.  “So, have you seen any ghosts?” Ellen asked. 
For a short time, we both taught at Renaissance High School.  In the spring, students signed up for poetry with beloved Mrs. Kort, but by fall, Ellen decided against teaching, wanting time to work on a poetry collection, so the students were stuck with me. Towards the end of that semester, one of the girls in the class told me that Mrs. Kort used to give the best prompts.  “Like one time she let everyone pick a rock and then we got to write about it.”  Not just anyone could hand out a rock and change a person’s life.  But Ellen could.
I stood in a crowd at the Atlas Mill Coffee Shop one evening a few years back to hear a whole room full of poets testify in beautiful waves of words their love for this teacher.  It is my great loss that I was never her student, that I never got to record her reading her poems and telling her stories.  I only encountered her a dozen or so times.  Still, I feel the profundity of her impact. 

I’m beginning to understand how the long

Years unwind how stories come back

On the wings of memory simple things

Locked together an offering of recurring

Echoes Even now your voice sweet as honey
(from Ellen’s Over and Over Again)

         Last March at the Appleton Public Library, sharing the stage with her former student, Cory Chisel, Ellen told us a story about how, when she was a little girl, staying at her grandparents’ farm, sometimes the phone would ring and it would be the neighbors alerting that the cows were out again.
Ellen recalled sitting in her grandpa's truck driving the country roads all day long trying to round up those cows.
By the time they finally got them herded back to the barn, Ellen knew her grandpa was mad.
He told her to count the cows, and she did, afraid of what was going to happen.
When she had them all counted and went to tell her grandpa, she flinched, anticipating the blows to follow.
And Ellen told about how her grandpa went up to that first cow, lifted his hand, brought it to her forehead, and gave her a kiss.
And then he went around and kissed every cow in the barn.

After that, I saw Ellen only three more times, last August at Mile of Music.  We kept running into each other, on the bus, on the front steps of The Chapel, Ellen with her two daughters, me with mine, all of us exuberant with all the music and all the poetry of those sunny days. 





4.21.2015

A Walk through City Park with Ronald Wahl





Listen to the latest Imagine City Park podcast here:




Ronald Wahl at the historic Temple Zion, former home of both Houdini and Edna Ferber,
current home of Wahl Organbuilders






Temple Zion at the corner of Harris and Durkee in Appleton

Footprint of the Monarch Oak, City Park



Pieces of bark that flew as far as eighty feet
when the Monarch Oak was struck by lightening





4.20.2015

At the San Diego Public Library





A gallery on the ninth floor.




An old gum ball machine that dispenses books for a buck.












A present for those with wanderlust.






4.19.2015

Thank You Note to Our Dear Cousins




Hello and thank you!
It was so nice of you to invite us to stay at your fine house!
(I didn't even see any mice!  Haha!)
It was a true delight to share a slice of your L.A. life,
and the true spice of your lives:
Zacko Wacko Mimbo Zimbo Slimbo Limbo Zachary Zoo!
Come and visit anytime,
(Ice with your slice of lemon?
Maybe we can have rice, twice!)
But remember,
no matter how you splice it, 
we remain imprecisely,
The Danes
(I hope that will suffice.)





4.17.2015

Improvisational Duets Class. April 17, 2015. Renaissance High School for the Arts, Appleton, Wisconsin.



Instructions:

1:  Find a spot outside to sit in a circle. 

2:  Designate a Facilitator.

3:  When everyone is settled, the Facilitator reads:




Sit tall.

Close your eyes.

Listen to the sounds all around.




4:  Sit for 5 minutes.

5:  Notice your breathing. 

6:  Add vocal sounds to the breathing cycle.  Be free.  Try playing with the sounds that you hear by mimicking sounds, creating sound patterns, veering off into new patterns, being silent and listening.  Always listening.  Try to see how deep you can go into the sounds, as if you are diving to the bottom of a pool.




7:  Discuss:  What did you hear?  What came to mind?  How involved did you become in your thoughts?  What happens to our listening when our minds become involved in thought?   Is there a state of being that is devoid of thought? 




8:  Create a Duet Circle:  Place a rock before two people on opposite sides of the circle.  Listen to the breath.  The two people with rocks, add vocals sounds to the breath.  Respond to sounds from all around.  At any point a person can decide to pass the rock counter clock-wise (since this exercise attempts to dissolve a sense of time by becoming completely present.)  Try to avoid passing rocks at the same time.  Try to create meaningful sound conversations by listening and responding without being critical or defensive.  Go around as many times as feels right.  After once around, anyone can raise a hand to indicate that the next full time around the circle will be the last.  (Three times around minimum.) The last circle around leads to the ending.  Always end at the beginning so everyone gets the same amount of turns.  Always end with an ending.



9: Discuss:  What did you hear?  How does your listening experience change when you are involved in making sounds?  What connections did you make with others in the circle?  How much of your listening was compromised by emotions brought on by insecure thoughts?  How deeply were you able to listen?

Listen to the first Improv Duet Circle created spontaneously at The Refuge in Appleton: